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Discography

As a solo artist:

  • Orbis Terrarum (2006) : Info Sheet | Audio Files | Reviews

    Exploring the relationships between diverse musical traditions and the dichotomy of rhythm and melody of the bass guitar, this aural travelogue blends intricate ethnic rhythms, spacious melodies, and flowing solos with the passion, intensity, romanticism, and introspection usually associated with first-generation jazz fusion and progressive rock artists.

  • Sphere Of Influence (2006) : Info Sheet | Audio Files | Reviews

    Centered around the universal "Union Of Opposites" concept, the compositions contain a dynamic balance of rhythm, melody, and harmony by integrating ethnic sonorities into his jazz-rock fusion palette. Merging diffractive musical arrangements with cohesive ensemble playing, dense percussive layers with ethereal instrumental textures, this release is imbued with both vibrancy and sensitivity, all spearheaded by his bass guitars.

  • Bhavachakra (2006) : Info Sheet | Audio Files | Reviews

    Inspired by the Buddhist "Wheel Of Life", this collection of ambient soundscapes, acoustic and electric textures with Asian and Indian influences, and synthesized exotic atmospheres is meant to direct the listener through all the guideposts of transmigratory existence, evoking myriad memories and emotions along the way.

  • Vedic Mantras (2006) : Info Sheet | Audio Files | Reviews

    Traditional Vedic chanting is combined with modern instrumentation and elements of jazz, rock, and European classical music in a variant of East-meets-West fusion. Featuring the Taittiriya Upanishad, one of the most important writings of ancient Indian philosophy, the arrangements were carefully constructed to retain the devotional mood and integrity of the sacred texts while creating a multi-genre sonic palette.

As bass guitarist for Electrum:
  • Standard Deviation (2002) : Info Sheet | Audio Files | Reviews

    Electrum's second release features their eclectic blend of instrumental progressive rock and jazz fusion in seven compositions, mostly rhapsodic in form, laced with orchestral keyboard arrangements, discursive melodies, complex rhythms, abundant time signature changes, and more solo sections than its predecessor.

  • Frames Of Mind (1998) : Info Sheet | Audio Files | Reviews

    Recorded less than a year after the band was completed, on only eight tracks, their debut album features nine compositions with an emphasis on rhythmic ensemble playing, concise lead/solo parts, and odd time signatures, arranged to be performed in real-time with the personnel adding synthesizers, MIDI pedals, and electronic percussion to their power trio format.


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