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Discography

The Only Alternative and
       His Other Possibilities
Electric Bulb Tragedy
Mind Release
Lethal Blend
El Mirador
P. Ercu Shawn
The Summoning Of The Muse
Access Granted
Androgynous
Mind Expansion Kit
GrooveYards
The Missing Pieces
Creative Insanity
Into The Void
The Visionary
No Offense
Mind Over Matter
Alternate Search
Child Care Mix
Coming Back
The March Of The Heart
Truth & Error
Viaggiando & Immaginando
Wisdom Of The Sphinx

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Massimo - The Missing Pieces

Massimo - The Missing Pieces Track Listing
  • Short Ride (1:25)
  • Indiana Jones (4:54)
  • Solo (2:23)
  • Raw Geometry (5:28)
  • Perseveria (6:27)
  • Fermezza (5:38)
  • Solo [2] (3:48)
  • Maciste (4:59)
  • Dario's Dream (3:00)
  • Against (1:17)
  • Wooden Skin (2:11)
  • Indian Star (3:25)
  • For Billy (1:51)
  • Bamboo Play (2:28)
  • Variation On A System (3:58)
  • Lock Ness (3:42)
  • Fermezza [2] (2:34)
  • Dark Beauty (2:59)
  • Loss (3:36)
  • Diagonal Tower (4:57)
Credits

Massimo - Drums, V-Drums, Percussion, Keyboards, Sampler, Composer

Guest Musicians:
John Swana - EVI (Electronic Valve Instrument)
Sal Giorgianni - Tenor Sax, Flute
Fernao Addanz - Keyboards, KAT
Jim Ridl - Keyboards
Ativana N'Bacchio - Electric Bass, Acoustic Bass, MIDI Bass

Overview

Massimo's latest project is dominated by short pieces, many of them written for beautifully fake mallet instruments and real drums. The approach is refreshingly primitive. Many words come to mind when attempting to describe "The Missing Pieces": surreal, haunting, mysterious, dream-like and let's not forget... stimulating!

Massimo's exploration of the boundaries between art and reality, and for his distortion of every day recurring patterns and experimentation with rhythmic shapes, make for an interesting listening experience. The highly imaginative compositions create a fantastic and indescribable dream-universe all their own, one which must ultimately pay attention to in order to be fully appreciated. It is always good to "listen" when musicians are constantly progressing.

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